It’s not often a movie is released that’sundeniably a perfect ten, but that’s exactly what happened withIn the Mood for Love. As a powerful romantic drama released in 2000, this acclaimed classic stands asHong Kong filmmaker Wong Kar-wai’smost well-known film, which kick-started an unofficial trilogy.

With stars Maggie Cheung and Tony Leung Chiu-wai givingoutstanding performances, Leung became the first Hong Kong actor to win the Best Actor award at the Cannes Film Festival. With a legacy that’s only grown in the quarter of a century since its release,In the Mood for Lovestands as a seminal work in Asian cinema.

Maggie Cheung as Su Li-zhen and Tony Leung as Chow Mo-wan speak at a dramatically lit alley in In the Mood for Love

In The Mood For Love Is A Romance Classic

In the Mood for Lovehas earned its status among the most powerful romantic dramas ever, as its portrayal of buried emotions and suppressed longing will be sure to leave a lasting mark on anyone who sees it. This story, set in 1962 British Hong Kong, tells ofShanghainese expatriates and neighbors who discover their partners are cheating on them.

As a touching glimpse into the pain and suffering of residents within the cramped corridors of high-rise Hong Kong apartments, there was something so real and sad about the stories of Chow Mo-wan and Su Li-zhen, who rent rooms in adjacent apartments. These two lonely people connect when they learn their partners are cheating on them with each other.

Tony Leung looking intently at Maggie Cheung in Wong Kar-wai’s In the Mood For Love.

The emotional power ofIn the Mood for Lovecomes as much from what’s being left unsaidas it does from what’s depicted onscreen. As a somber look at two people simultaneously experiencing one of life’s biggest betrayals, much like how the movie’s characters are feeling, this is a film that’s likely to break your heart.

In The Mood For Love Is Part Of An Unofficial Trilogy

The heartbreaking beauty ofIn the Mood for Loveis just one part of an informal trilogy from director Wong Kar-wai, which was preceded byDays of Being Wildin 1990 and followed by2046in 2004. While many connections can be made between the film’s themes, it’s not necessary to watch any of them to understand the others.

However,2046does feature Leung and Cheung and explores the aftermath of their characters' unconsummated emotional affair while maintaining the same melancholic and highly stylized atmosphere of its previous installment. Although they may not be sequels in the strictest sense, anyone who was overcome by the beauty ofIn the Mood for Lovewill connect with the entire trilogy.

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